PASSIA by Liz Dilnot Johnson
​
Passia, composed by Liz Dilnot Johnson, will be our most vocally and emotionally charged commission to date, exploring the Passion story from the perspective of five women at the foot of the cross: Mary (Christ’s mother); Mary Magdalene; Veronica; and sisters Martha and Mary. Each role will be sung by a member of Papagena, with additional material for upper voice choir.
Lasting around 45 minutes, the text of Passia explores universal themes of motherhood, loss and love through the eyes of those often marginalised in traditional Passion narratives. This work will offer a significant contribution, both to contemporary Passiontide repertoire and to the still comparatively limited library of major extended works available to women’s voices.
Target: £12,000
Why do we need your help?
We are seeking to raise £12k which will go towards paying for Liz Dilnot-Johnson’s thought-provoking piece and the work associated with preparing for this ambitious new project for Papagena and upper voice choir. If we are lucky enough to exceed our target, then any additional funds raised will go towards funding the rehearsal, promotion and venue hire costs involved in presenting performances of Passia during Holy Week 2026.
Papagena receives no public funding or commercial sponsorship of any kind, neither is it a registered charity, so we rely entirely on our own resources and the generosity of the public to make inspiring projects like Passia happen. We are so grateful for any support you can give us.
We currently do not receive any public funding, so rely entirely on donations to progress our work in both these areas. If you would like to donate, please click the DONATE button above and follow the instructions in the link.
Commissioning new repertoire for female voices and leading singing workshops are both vital components of Papagena’s vision
There is so little music for women’s vocal ensembles and it is a hallmark of Papagena’s concerts that every performance we give showcases new works, contributing to building the library of music for female voices.
Commissions include:
Errollyn Wallen: Rebuttal Blues
James MacMillan arr. Sarah Tenant-Flowers: The Gallant Weaver
Janet Wheeler: Tomorrow is Today
Jim Clements: Skinny Love
Jim Clements: Firework
Jim Clements: The Woman’s IF
Jim Clements: River
Jime Clements: Withering Heights (in progress)
John Duggan: Stabat Mater Speciosa
Kate Rusby arr. Suzzie Vango: I Courted a Sailor
Oliver Tarney: The Waiting Sky (upper voices)
Orazio Vecchi: Stabat mater dolorosa (upper voices)
Alec Roth: The Flower (upper voices)
Sandy Deny arr. Suzzie Vango: Who Knows Where the Time Goes
Shivani Rattan
Suzzie Vango: Balulalow
Suzzie Vango: Sweet Child O Mine
Suzzie Vango: Hamisha Asar
Sarah Tenant-Flowers: El cant dels Ocells (Trad. Catalan)
Sarah Tenant-Flowers: Es Ist Ein Ros
Sarah Tenant-Flowers: Nowell, Nowell, Tydings Trew
Lizzie Drury: Carol of the Bells
Lizzie Drury: Bist du Bei Mir






